Image courtesy of PDPics/pixabay.
This article was originally published by the Council on Foreign Relations on 16 October 2018.
Disinformation and distrust online are set to take a turn for the worse. Rapid advances in deep-learning algorithms to synthesize video and audio content have made possible the production of “deep fakes”—highly realistic and difficult-to-detect depictions of real people doing or saying things they never said or did. As this technology spreads, the ability to produce bogus yet credible video and audio content will come within the reach of an ever-larger array of governments, nonstate actors, and individuals. As a result, the ability to advance lies using hyperrealistic, fake evidence is poised for a great leap forward.
This article was originally published by the openDemocracy on 30 September 2016.
Amid Russia’s conservative turn, a new brand of conservative civil society is mobilising against freedom of expression. Русский
Anton Belikov walks through the Direct Look exhibition, and attacks work by Sergei Loiko and Alexander Vasukovich. Video: Elena Balakireva.
On Wednesday evening, Anton Belikov, an artist and lecturer at Moscow’s Surikov Academy of Arts, walked through an exhibition of photographs documenting the war in eastern Ukraine, and threw paint over them. Having ruined and torn up the pictures as “war propaganda”, Belikov then turned to one of the photographers and the curator to say: “You wanted civil society? Well, now you’ve got it.”
These photographs by photographer Alexander Vasukovich and journalist Sergei Loiko were exhibited in Moscow’s Sakharov Center as part of the Direct Look photography prize. As a result of this attack, the Sakharov Center decided not to close the exhibition, but instead to hang posters detailing what took place on 28 September in place of the damaged works.
Danger-sign in the water. Image: Matthew/Flickr
Whether a natural hazard turns into a disaster largely depends on the level of human preparedness. The recent, devastating earthquake in Nepal illustrates this point, where a lack of prevention and mitigation measures pre-disaster contributed to high disaster vulnerability, with terrible consequences for the local population. Communicating to the public about the risks of natural hazards represents a major function of disaster preparedness and resilience. Yet, many efforts to step up communication with the public about risks end in a “media black hole” because they are not properly tailored towards their target groups. » More