This graphic highlights the connection between political sentiment and Islamophobia in Switzerland. To find out more about views on Islam in times of terrorism, see Darius Farman and Enzo Nussio’s addition to the CSS’ Analyses in Security Policy series here. For more CSS charts and graphics, click here.
This graphic looks German, Russian and Japanese public opinion of the US under the Obama and Trump administrations.For more on the US’ global leadership role, see Jack Thompson’s chapter for Strategic Trends 2018 here. For more CSS charts, maps and graphics, click here.
This graphic maps the evolution of public opinion on Islam in Switzerland. To find out more about Islamophobia in Switzerland and how terrorist violence has influenced the Swiss public discourse, see Darius Farman and Enzo Nussio’s recent addition to the CSS’ Analyses in Security Policy series here. For more CSS charts and graphics, click here.
This graphic depicts attitudes of the American public (broken down by political affiliation) toward the US’ international engagement. For more on the contemporary geopolitical landscape, see Jack Thompson’s chapter for Strategic Trends 2018 here. For more CSS charts, maps and graphics on defense policy, click here.
This article was originally published by the openDemocracy on 30 September 2016.
Amid Russia’s conservative turn, a new brand of conservative civil society is mobilising against freedom of expression. Русский
Anton Belikov walks through the Direct Look exhibition, and attacks work by Sergei Loiko and Alexander Vasukovich. Video: Elena Balakireva.
On Wednesday evening, Anton Belikov, an artist and lecturer at Moscow’s Surikov Academy of Arts, walked through an exhibition of photographs documenting the war in eastern Ukraine, and threw paint over them. Having ruined and torn up the pictures as “war propaganda”, Belikov then turned to one of the photographers and the curator to say: “You wanted civil society? Well, now you’ve got it.”
These photographs by photographer Alexander Vasukovich and journalist Sergei Loiko were exhibited in Moscow’s Sakharov Center as part of the Direct Look photography prize. As a result of this attack, the Sakharov Center decided not to close the exhibition, but instead to hang posters detailing what took place on 28 September in place of the damaged works.